Manuel is a crafty cowboy and swindler who lives to serve his two great loves – his fiancée Das Dô, and his mule Beija-fulô – and his business of selling unsound horses to suckers. The killer Targino arrives in town looking for a horse. Thinking that he is being clever, Manuel sells a sick horse to the assassin. Targino swears that he is going to kill Manuel, and dishonor Das Dô’s reputation after he’s dead. Under pressure, Manuel calls on the magic of Toniquinho das Pedras to protect his body. However, the witchdoctor demands the mule Beija-fulô as payment. Manuel, sees himself in the dilemma between having to choose between his fiancée Das Dô, and the mule, Beija-fulô.

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Amores explores the world of acting from its most basic and solitary form: the monologue. If only an actor, a text, and someone who hears it are needed to make an acting exercise, then Amores offers fourteen splendid acts from renowned professionals in Puerto Rico. Amores is composed by different monologues that, in set, offer reflection on aspects of love.

A shy student suddenly becomes the center of attention when she wins a huge birthday party that she never asked for.

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Rodolfo Guerra, a young man from the upper class of Rio de Janeiro, has his fancy imported car taken from him at gun point in front of his condo by two men. With the help of the alarm system installed in car and the police, he captures one of the suspects. He will find out that the suspect can also be the victim!

Rodrigo and Gabriela have been dating for years, sometimes their relationship seems like best friends, but deep down, they love each other. Their daily lives are disrupted when their best friends, Luz and Jorge, ask them who would be allowed.

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